As most Softube plug-ins, Tape is uniquely light on your computers processor. Phew, seems like I can’t write very shortly. Yes, your computer will be able to handle it. And even in Cubase if you wanted to automate one of the two parameters, you do have a weird moment when you see that there are two attacks in the list of parameters. I know this request is a bit special but could you label thees parameters so that they had different names? Also, Cubase understood it, but I’m not sure of other hosts. Studiounits doesn’t understand that and for some reason can only control the “alpha/sigma” switch.
This tiny problem I encountered is that you have labeled both the “alpha/sigma” switch and “attack” knob as attack. You can also go crazy with the attacks so that it sounds totally different, but cool! 🙂 ). (Have to say, if you need extra punchy drums for example, it’s great. You see, I’ve been experimenting with studiounits (a vst to host others and combine them) building a 4-band compressor with molot on each band. Love how it bites! 🙂Īnd my tiny request is exactly about attack. Sure it’s not for everything, but the way it shapes attacks is great! And btw, I also have found it just right for vocals in situations, where you want to hear the compression. I have to admit that I have a tiny request, but before that, thanks a lot for your work on Molot. Here you realy should care about attack times, knee softness and the limiter, not to get OverNeved ! 😉 Since Molot, i cant stop to think about the money i could get for my UAD on ebay. Molots sigma mode is for people, who can not have enough from the Neve 33609 character. is more a peak tamer ,thats why its also a good Master-Bus Compressor, while the Neve is better used on track-buses.
It gives the signal a kind of subtle but in itself agressive attack with all the original punch and highs. The main advantage of the Neve BusComp Sound is, that it keeps transients in a way normaly known from feedback-compressors like Marquis or API, but without any shaping. Of course its not 100% the same, but Molot definitely plays in the same league. But there is no reason, neither to try it nor to buy it.
#SOFTUBE TAPE MIXFX PASSTHROUGH FULL#
And i intensively tried the Neve Comp over the entire full working demo-mode period and even could activate this demo a second time if i want. I have a UAD-1 with Fairchild, 1176, LA2A next to some others plugins. Sincere thanks and congratulations from sunny Cape Town, South Africa. May this be the first of many (Russian military?!) themed plug-ins. This kills a lot of commercial plug ins I have paid good money for… I am not a dsp know-it-all, but I’ve done this stuff long enough to know something good when I hear it. If this is your first release, in my humble opinion, you can stand tall with the likes of Bootsy and a select few other freeware developers. I wouldn’t call it uber subtle, but it colours the sound in a way I really enjoy and in many instances, I thought I got it to sound at least as good as the 33609, and in some instances beguilingly close to an 1176 thwack. Sound wise, I gave it a wind for a good few hours last night, against my other buss favourite – a UAD Neve 33609…and I was very surprised. Your GUI is amazing… I have always loved the ruggedness of Russian military hardware, and the photo realism of the VU and chickenhead controls is so cool.
Paired with the smooth workflow and hands-on control of Console 1, British Class A gives you the perfect mix solution for the DAW based studio. “Add body and character to your tracks with the most timeless and loved mixing tools ever-the Neve Class A units from the 60s and 70s. Here’s what they had to say about the British Class A Emulation Our good friends at Softube, have announced that a model of a vintage Neve console will soon be available for their Console 1 plarform.
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